
*click for large view*
a mixed-grain scratch from the edge of the Cohutta and Big Frog
on my way to the IGA


what is your current obsession? painting. old school painting. no gimmicks no frills. just brush to canvas. im obsessed with filbert shaped brushes, gessoed hardboard substrates, golden fluid paint, layering, gold leaf, chromium oxide green, all the paint that starts with "quinacridone", good lighting, and "the loft" on XM radio.


what is the last thing you bought? Lemon cucumbers and "Casper" pumpkin seeds.


Painting is not the same as illustration. painting is more than image, it is also surface. it has the weight of object; it has presence. for me illustration is to draw something and then fill it in with color and refine details with a mind toward clarity, because it is so often intended to be reproduced. in some ways, painting is about destroying the original drawing and trying to not refine so much. i seldom make a larger acrylic painting on canvas, so i usually ruin the first one remembering how to do it. if i stay focused, by the time i start the second, i am more on my game, have some flow, and have figured out the paint again. I am about halfway finished with the fox painting.
unless you paint seriously everyday, it is difficult to make anything worthwhile. it is like you have to teach yourself how to do it again. i talk with another painter almost daily and we agree that the awkward stages paintings tend to go through are terrifying; it looks like it won't come together and you have to fight your desire to ditch.
i have been working on these for the entire week, staying late at night alone at the warehouse. i listen to ambient chill internet radio from france or the "drone zone" and i keep my loading dock open until the bugs, drawn to the light, end up embedded in wet paint. when i go home, i am still with the painting(s) and have trouble falling asleep. i really just want to go back to work.
I remembered how much i like controlled drips and lots of sheer layers over textured backgrounds i lay in by scraping paint dipped cardboard across the canvas. i also like to etch into wet paint and overlay that area which allows the new color to seep into the grooves.
It is difficult to make a good painting; one that really sings with vitality and is true to my vision of how it should be. It is the hardest thing i do as an artist. painting is a spiritual path in that you dont know what it is you are searching for, but when you find it you know it is right and true. and it is a moment of true contentment. its a time free of anxiety that is filled with the delight of creation.